The post-war set romantic thriller Phantom Thread purposefully plays like Alfred Hitchcock’s Rebecca, but the drama and the costumes of the feature film combine to make a costume drama like no other.
Phantom Thread (2017) is in select theaters Christmas day, December 25, 2017, and stars Daniel Day-Lewis as Reynolds Woodcock, Vicky Krieps as Alma, and Lesley Manville as Cyril.
Written and directed by Paul Thomas Anderson.
Rated R. Trailer below.
Daniel Day-Lewis has been nominated for The Golden Globe Award for Best Actor in a Motion Picture for his role as couture designer Reynolds Woodcock.
Like other characters in filmmaker Paul Thomas Anderson’s movies, Daniel Day-Lewis portrays an exacting man who oozes toxic masculinity. He’s the confirmed bachelor Reynolds Woodcock, a fastidious British fashion designer of couture dresses for society ladies, and he commands power in work and love. He spares more emotional room in his carefully tailored life for his sister, Cyril (Lesley Manville), and for the memory of his mother, than for Alma (Vicky Krieps), the woman who loves him. Woodcock and Alma’s whirlwind romance turns both their lives upside down, but he isn’t a man used to living with disruptions. Alma was his waitress and becomes his assistant, lover and live-in muse, but soon Woodcock’s emotional remoteness is as suffocating to her as the silence he demands.
The period drama’s writer-director Paul Thomas Anderson was influenced by Gothic storytelling, but had his own story to tell. He and Day-Lewis worked collaboratively to form the characters and the story: “It’s not your standard love story. It’s more peculiar for sure. A lot of directors have tried and failed to make Rebecca. I’m probably next in line, but it’s a different story. I’m a large aficionado of those large Gothic romance movies as the old masters might do them. What I like about those kinds of love stories is that they’re very suspenseful. A good dollop of suspense with a love story is a nice combination.”
Woodcock isn’t the only master of control in this story. In the Rebecca parallel, his sister Cyril takes the guardian role of housekeeper Mrs. Danvers with her sinister overtones, but the (initially submissive) now strong-willed Alma is a match for both Cyril and Woodcock. All three characters are so tightly stitched together that we know the thread must snap, their precisely constructed reality will fall apart as the seams. Until then, there is romance and obsession, and there are rules. The surprises come after.
Phantom Thread is a psychological romantic drama, but it’s also a study of an artist at work, and fans of the costume drama genre will delight in the attention given to the process of clothing design and detail of construction. We are immersed in Woodcock’s creative genius, consumed by his labor and enveloped in fabric and 1950s dresses brought to life by The House of Woodcock through Mark Bridges’ exquisite costume design.
Everything in the house of Woodcock was so particular, in terms of what chair, what silverware, what teacup, so you have to involve Daniel in every aspect of that. It wasn’t as if Mark Bridges, our costume designer, could go independently and create a bunch of costumes and then put them into Reynolds Woodcock’s lap. It was very much a collaboration and everything in this world was coming from Reynolds. And that’s as it should be. The production was pushed forward by that. – Writer-director Paul Thomas Anderson
Using historical references, luxurious fabrics and a rich color palette, Bridges designed 50 original pieces for the fictional House of Woodcock. You’ll find some on display at the upcoming Fashion Institute of Design and Merchandising “Annual Art of Motion Picture Costume Design” exhibition (generally February – April).
Day-Lewis has announced that his role in Anderson’s latest film will be his last screen performance. His embodiment of Woodcock, like the period drama, is meticulously crafted with a reserved elegance.
Period drama fans have celebrated British born Daniel Day-Lewis’ acting over the years in numerous movies as Cecil Vyse in A Room with a View, Christy Brown in My Left Foot, Newland Archer in The Age of Innocence, John Proctor in The Crucible, Daniel Plainview in There Will Be Blood, and as Abraham Lincoln in Lincoln.
Vicky Krieps previously played Bessie Vavasour in the period drama Anonymous (2011), and is in the upcoming TV mini-series Das Boot.
You’ll recognize Lesley Manville from a long line of historical costume dramas. She plays Lydia Quigley in the 18th century-set Harlots, was Mrs Maudsley in The Go-Between, Mary Somerville in Mr. Turner, Bea Haddington in The Christmas Candle, Mrs Rose in Cranford, Maria Hale in North & South, and Villy Cazalet in The Cazalets.
Also starring Sue Clark, Joan Brown, Camilla Rutherford, Harriet Leitch.
Listen below: For The Director’s Cut, director Paul Thomas Anderson discusses his new film with fellow Director Rian Johnson.
If you haven’t seen the screen adaptations of Daphne du Maurier’s 1938 novel Rebecca, you’ll want to watch both Alfred Hitchcock’s 1940 film, and the PBS Masterpiece mini-series.
Rebecca (1940): Romance becomes psychodrama in Alfred Hitchcock’s elegantly crafted Rebecca, his first foray into Hollywood filmmaking. A dreamlike adaptation of Daphne du Maurier’s 1938 novel, the film stars the enchanting Joan Fontaine as a young woman who believes she has found her heart’s desire when she marries the dashing aristocratic widower Maxim de Winter (played with cunning vulnerability by Laurence Olivier). But upon moving to Manderley her groom s baroque ancestral mansion she soon learns that his deceased wife haunts not only the home but the temperamental, brooding Maxim as well. The start of Hitchcock’s legendary collaboration with producer David O. Selznick, this elegiac gothic vision, captured in stunning black and white by George Barnes, took home the Academy Awards for best picture and best cinematography. Available on DVD.
Rebecca (1997) PBS Masterpiece: When Maxim de Winter (Charles Dance of “Game of Thrones” and “The Jewel in the Crown”) proposes to a young woman (Emilia Fox of “The Pianist” and “Pride & Prejudice”), no one is more surprised than the circle of society friends who learn the intriguing news, especially as his new wife is the opposite of Maxim’s first wife, the beautiful Rebecca, who mysteriously died in a tragic drowning accident. Available to stream and on DVD.
Willow and Thatch exists because of you: You can shop our Jane Austen Period Drama Adaptations merchandise, click on our links (like these that take you to Etsy and Amazon) and make purchases on those sites, and buy period-inspired products from the Lovely Things Shop. You can also continue to share our articles, or make a financial contribution by emailing us. All these things allow us to write feature articles, update The Period Films List, mail out our newsletter, maintain the website and much more. Thank you!
If you enjoyed this post, be sure to visit The Period Films List. You’ll also want to know about My Cousin Rachel, Lady Macbeth and The Chaperone. Also be sure to see Strong Women Roles in Costume Dramas and The Diary of a Chambermaid in Film.