Cinema Paradiso (1988): A filmmaker recalls his childhood, when he fell in love with the movies at his village’s theater and formed a deep friendship with the theater’s projectionist.

Cinema Paradiso, courtesy Miramax


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Starring Isa Danieli, Enzo Cannavale, Marco Leonardi, Jacques Perrin, Leopoldo Trieste, Philippe Noiret, Salvatore Cascio, Antonella Attili.

Watch the TRAILER

Available to STREAM

In Italian with English subtitles. 

Rated R for some sexuality

Wistful and poetic, “Cinema Paradiso” is Italian director Giuseppe Tornatore’s authentically sentimental homage to the silver screen. The semi-autobiographical film begins in the years just after WWII, in a small village in Sicily. Tornatore originally released “Cinema Paradiso” as a three-hour film, but later edited out one hour.

In 1989, the shorter version won the Cannes International Film Festival and then, the 2nd Golden Globe Academy Award for Best Foreign Film. In 2002, the original cut became available, and the consensus is that both versions are bellissimo.





The period drama begins with lyrical scenes of an Italian village by the sea, framed by a modern-day flashback of a renowned film director who left thirty years before. He is the pint-sized boy, Salvatore ‘Toto’ (Salvatore Cascio), the film shows scurrying energetically to the Cinema Paradiso, the heart and center of the village. Young Toto is full of curiosity and wonderment and he becomes enchanted with the films being shown by the projectionist, Alfredo (Philippe Noire).

For Toto and the village, the cinema is an escape from poverty and the sorrowful aftermath of the war, offering stories that contrast sharply with their daily lives. The romantic movies are censored by the local priest who forthrightly (and comically) rings a bell each time there is kissing or a suggestion of sexuality. Alfredo then cuts these scenes from the film. The villagers boo each time, but hungrily watch the film as they smoke, yell, sing, laugh, and flirt. They stay intensely focused on the screen while their priest and the statue of Mother Mary watch over them.

Despite his mother’s disapproval, Toto begs Alfredo to teach him how to become a projectionist. Alfredo is reluctant to go against her wishes, but a determined Toto works his way into his heart (and everyone else’s).

The scenes between the pair are charming, and Alfredo’s no-nonsense ways are laced with simple wisdom. As a teenager Toto / Salvatore (played by Marco Leonard) is caught by a wave of first love that nearly drowns his senses. Alfredo reels Salvatore back to shore, but harshly urges him to leave the village, and the cinema, to create a bigger life for himself. Thirty years later, Salvatore’s return depicts love at its finest.

“Cinema Paradiso” is a richly textured, tender film. It’s a love story between a village and their cinema, a gruff projectionist and a young, inquisitive boy, and the passion of his innocent first love. 


Cynthia G. Neale is the author of the recent release by Fireship Press, The Irish Milliner (set during the Civil War in New York City), Norah: The Making of an Irish-American Woman in 19th-Century New York and the young adult novels, The Irish Dresser, A Story of Hope during The Great Hunger (An Gorta Mor, 1845-1850) and Hope in New York City, The Continuing Story of The Irish Dresser.

Ms. Neale has also written a dessert and essay book, Pavlova in a Hat Box, Sweet Memories & Desserts. In addition to these works, Ms. Neale writes plays, screenplays, short stories, and essays. She holds a B.A. in Writing and Literature from Vermont College. Ms. Neale enjoys Irish set dancing, reading, painting, hiking, kayaking, creating events for food, dance, and fundraising. A native of the Finger Lakes region of New York, Ms. Neale currently resides in New Hampshire.

Visit her at her blog.


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If you enjoyed this post, wander over to The Period Films List. You’ll also want to see Cynthia’s review of The Hanging Gale