Deep in the passageways below the Paris Opera lives a lonely, talented, horribly disfigured man who revels in terrorizing the theater’s employees as The Phantom of the Opera. But when the masked Phantom sees young Christine Daaé, his heart melts. He secretly trains her, transforms her into a star … and loves her. But when she cannot return his affection, as her heart already belongs to another, all the pain that the Phantom has held within is revealed with horrifying results.
Although it’s not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber’s blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn’t Rossum’s match vocally, he does convey menace and sensuality in such numbers as “The Music of the Night.” The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she’s the only principal whose voice was dubbed (though she does sing the closing-credit number, “Learn to Be Lonely,” which is also the only new song).
Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber’s larger-than-life vision of Gaston LeRoux’s Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings “Wishing You Were Somehow Here Again” alone in a silent graveyard, it’s exquisite.
The movie is an absolutely over-the-top, spectacle in everything (AS IT SHOULD BE, FOLKS!) We’re dealing with 19th century, gothic romance and a musical score that is closer to opera than not. – Amazon review
Starring Gerard Butler, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver.