Among the great François Truffaut films, Two English Girls is likely the least known. Its story of a romantic triangle inevitably invites comparison to Truffaut’s Jules and Jim, and not surprisingly, as both are based on novels by Henri-Pierre Roche (the only two novels Roche authored). Truffaut regular Jean-Pierre Leaud is Claude, the Frenchman who on a turn-of-the-century trip to Wales with his mother meets the Brown sisters, Anne (Kika Markham) and Muriel (Stacey Tendeter). Anne is a sculptress and more outgoing than Muriel, who is a teacher. Over the next 20 years, affections between Claude and the sisters shift, but consummation of any romantic feelings is often blocked by distance, a pair of very strong-willed mothers, and the conventions of the time. Claude becomes an art critic, and the trio each has to express blocked passions in his or her work. Disappointed by the mild reception that greeted the original version of the film, Truffaut determined to restore over 20 minutes of footage to the film, a project he completed just before he died in 1984. The posthumously released, full-length version rounds out the characters and their motives and makes Two English Girls worthy of comparison to The 400 Blows, Jules and Jim, and Day for Night in the Truffaut filmography. ~ Tom Wiener, Rovi
It’s wonderful how offhand Franois Truffaut’s best films feel. There doesn’t seem to be any great effort being made; he doesn’t push for his effects, but lets them flower naturally from the simplicities of his stories. His film, TWO ENGLISH GIRLS, is very much like that. Because he doesn’t strain for an emotional tone, he can cover a larger range than the one-note movies. Here he is discreet, even while filming the most explicit scenes he’s ever done; he handles sadness gently; he is charming and funny even while he tells us a story that is finally tragic.- Roger Ebert
Set in 1902 and in the 1920s. In French with English subtitles.
Starring Jean-Pierre Léaud, Philippe Léotard, David Markham, Kika Markham, Sylvia Marriott.